Focusing on the vital role of literature in the development of the artistic practice of Frank Stella (b. 1936), this insightful book looks at four transformative series of prints made between 1984 and 1999. Each of these series is named after a literary work—theHad Gadya(a playful song traditionally sung at the end of the Passover Seder),Italian Folktales, compiled by Italo Calvino,Moby-Dickby Herman Melville, andThe Dictionary of Imaginary Placesby Alberto Manguel and Gianni Guadalupi. This investigation offers a critical new perspective on Stella: an examination of his interdisciplinary process, literary approach, and interest in the lessons of art history as crucial factors for his artistic development as a printmaker. Mitra Abbaspour, Calvin Brown, and Erica Cooke examine how Stella’s dynamic engagement with literature paralleled the artist’s experimentation with unconventional printmaking techniques and engendered new ways of representing spatial depth to unleash the narrative potential of abstract forms.
“A vibrant volume dedicated to Stella’s literary-inspired prints made between 1984 and 1999”—Rebecca Rego Barry,Fine Books & Collections
Mitra Abbaspouris curator of modern and contemporary art andCalvin Brownis associate curator of prints and drawings, both at the Princeton University Art Museum.Erica Cookeis a PhD candidate in the Department of Art and Archaeology at Princeton University.
This revelatory examination of the role of literature in the development of Frank Stella’s artistic practice looks closely at four transformative series of prints made between 1984 and 1999.