Fredric Jameson and Film Theory: Marxism, Allegory, and Geopolitics in World Cinema [Paperback]

Frederic Jameson and Film Theoryis the first collection of its kind, it assesses and critically responds to Fredric Jameson’s remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts—such as totality, national allegory, geopolitics, globalization, representation, and pastiche—and his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'.  A radical new intervention into film studies and Marxist cultural studies, this book considers the contributions of Fredric Jameson to film Studies, and finds scholars applying, questioning, and developing his ideas in a wide-ranging collection of case studies from around the globe.KEITH B. WAGNERis an assistant professor of global media and culture and director of doctoral research in film and media studies at University College London in the United Kingdom. He is the coeditor of Neoliberalism and Global Cinema: Capital, Culture and Marxist Critique.

JEREMI SZANIAWSKIis an assistant professor of film studies and comparative literature, and the Amesbury Professor of Polish language and culture at the University of Massachusetts at Amherst. He is the author ofThe Cinema of Alexander Sokurov: Figures of Paradox.

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