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Freedom Of The Screen: Legal Challenges To State Film Censorship, 1915-1981 [Hardcover]

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  • Category: Books (Performing Arts)
  • Author:  Laura Wittern-Keller
  • Author:  Laura Wittern-Keller
  • ISBN-10:  0813124514
  • ISBN-10:  0813124514
  • ISBN-13:  9780813124513
  • ISBN-13:  9780813124513
  • Publisher:  The University Press of Kentucky
  • Publisher:  The University Press of Kentucky
  • Pages:  356
  • Pages:  356
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Jun-2008
  • Pub Date:  01-Jun-2008
  • SKU:  0813124514-11-SPLV
  • SKU:  0813124514-11-SPLV
  • Item ID: 105156634
  • List Price: $40.00
  • Seller: ShopSpell
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  • Delivery by: Oct 29 to Oct 31
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.

At the turn of the twentieth century, the proliferation of movies attracted not only the attention of audiences across America but also the apprehensive eyes of government officials and special interest groups concerned about the messages disseminated by the silver screen. Between 1907 and 1926, seven states -- New York, Pennsylvania, Ohio, Virginia, Kansas, Maryland, and Massachusetts -- and more than one hundred cities authorized censors to suppress all images and messages considered inappropriate for American audiences. Movie studios, hoping to avoid problems with state censors, worrying that censorship might be extended to the federal level, and facing increased pressure from religious groups, also jumped into the censoring business, restraining content through the adoption of the self-censoring Production Code, also known as the Hays code.But some industry outsiders, independent distributors who believed that movies deserved the free speech protections of the First Amendment, brought legal challenges to censorship at the state and local levels. Freedom of the Screen chronicles both the evolution of judicial attitudes toward film restriction and the plight of the individuals who fought for the right to deliver provocative and relevant movies to American audiences. The path to cinematic freedom was marked with both achievements and roadblocks, from the establishment of the Production Code Administration, which effectively eradicated political films after 1934, to the landmark cases over films such as The Miracle (1948), La ronde (1950), and Lady Chatterley's Lover (1955) that paved the way for increased freedom of expression. As the fight against censorship progressed case by case through state courts and the U.S. Supreme Court, legal authorities and the public responded, growing increasingly sympathetic toward artistic freedom. Because a small, unorganized group of independent film distributors and exhibitors in mid-twentieth-century America fought back againlӞ

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