This 2001 book looks at how British drama and popular entertainment were affected by the French Revolution and Napoleonic Wars.During the French Revolution most performances on the London stage were strictly censored, but political attitudes found indirect expression. This book looks at how British drama and popular entertainment were effected by the ideas and events of the French Revolution and Napoleonic Wars. By a cultural analysis of the popular entertainment and theatre performances of the eighteenth and nineteenth centuries George Taylor reveals issues of ideological conflict and psychological stress.During the French Revolution most performances on the London stage were strictly censored, but political attitudes found indirect expression. This book looks at how British drama and popular entertainment were effected by the ideas and events of the French Revolution and Napoleonic Wars. By a cultural analysis of the popular entertainment and theatre performances of the eighteenth and nineteenth centuries George Taylor reveals issues of ideological conflict and psychological stress.During the French Revolution most performances on the London stage were strictly censored, but political attitudes found indirect expression. This book looks at how British drama and popular entertainment were affected by the ideas and events of the French Revolution and Napoleonic Wars. By a cultural analysis of the popular entertainment and theater performances of the eighteenth and nineteenth centuries George Taylor reveals issues of ideological conflict and psychological stress.Acknowledgements; Note on the text; Introduction; 1. England and France in 1789; 2. The Revolution; 3. From the federation to the terror; 4. Dramatising (the) terror; 5. Performance and performing; 6. The shadow of Napoleon; 7. Theatre and alienation; Reflections towards a conclusion; Notes; Bibliography; Index. Taylor's book is the most thorough political analysis of the London theater during the Revolution l£I