George III and the Satirists from Hogarth to Byron [Paperback]

VINCENT CARRETTA is professor emeritus of English at the University of Maryland. He is the author or editor of more than ten books, including scholarly editions of the writings of Olaudah Equiano, Phillis Wheatley Peters, Ignatius Sancho, and Ottobah Cugoano. His books include Phillis Wheatley Peters: Biography of a Genius in Bondage; Equiano, the African: Biography of a Self-Made Man; and The Life and Letters of Philip Quaque, the First African Anglican Missionary, coedited with Ty M. Reese (all Georgia). He lives in Springfield, Virginia.

King George III inherited two legacies from the restoration of the monarchy in 1660: his crown and a tradition of regal satire. As the last British monarch who fully ruled as well as reigned and as the last king of America, George III was the target of constant satiric attacks even before he came to the throne in 1760 and for years after his death in 1820.

An interdisciplinary and intercontinental study, this book examines the political satiric poetry and political graphic prints of Britain and Colonial America during the late Georgian period—a tumultuous era that witnessed the American and French revolutions, the Napoleonic wars, and the birth of the Romantic movement. Using George III as his focal point, Vincent Carretta draws on a wide range of verbal and visual sources to illuminate the development of satire from the work of Charles Churchill and William Hogarth to Lord Byron and George Cruikshank. Extending the argument from his earlier book, The Snarling Muse, which dealt with satire during the first half of the eighteenth century, Carretta demonstrates that the satiric line of descent from the early decades of the 1700s through the 1820s is much more direct than most scholars have recognized.

Throughout the book, Carretta examines not only how the monarchyl%