Gestures and Looks in Medieval Narrative [Paperback]

John Burrow examines the role of non-verbal communication in a range of narrative texts.In medieval society, gestures and speaking looks played an even more important part in public and private exchanges than they do today. Gestures meant more than words, for example, in ceremonies of homage and fealty. In this, the first study of its kind in English, John Burrow examines the role of non-verbal communication in a range of narrative texts, including Chaucer's Troilus and Criseyde, the anonymous Sir Gawain and the Green Knight, Malory's Morte D'arthur, the romances of Chrétien de Troyes, the Prose Lancelot, Boccaccio's Il Filostrato, and Dante's Commedia.In medieval society, gestures and speaking looks played an even more important part in public and private exchanges than they do today. Gestures meant more than words, for example, in ceremonies of homage and fealty. In this, the first study of its kind in English, John Burrow examines the role of non-verbal communication in a range of narrative texts, including Chaucer's Troilus and Criseyde, the anonymous Sir Gawain and the Green Knight, Malory's Morte D'arthur, the romances of Chrétien de Troyes, the Prose Lancelot, Boccaccio's Il Filostrato, and Dante's Commedia.Gestures and looks played an even more important role in public and private exchanges of medieval society, than they do today. Gestures meant more than words, for example, in ceremonies of homage and fealty. In this compelling study, medievalist Burrow examines the role of non-verbal communication in a range of narrative texts, including Chaucer's Troilus and Criseyde, the anonymous Sir Gawain and the Green Knight, Malory's Morte D'arthur, the romances of Chrétien de Troyes, the prose Lancelot, Boccaccio's Il Filostrato, and Dante's Commedia.Acknowledgements; List of abbreviations; 1. Introduction; 2. Gestures; 3. Looks; 4. Two Middle English narratives; 5. Dante's Commedia; 6. Afterword; Bibliography; Index of names and titles; l#(