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Goat-Footed Gods [Paperback]

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  • Category: Books (Poetry)
  • Author:  Driskell, Kathleen
  • Author:  Driskell, Kathleen
  • ISBN-10:  0887487084
  • ISBN-10:  0887487084
  • ISBN-13:  9780887487088
  • ISBN-13:  9780887487088
  • Publisher:  Carnegie Mellon University Press
  • Publisher:  Carnegie Mellon University Press
  • Pages:  96
  • Pages:  96
  • Binding:  Paperback
  • Binding:  Paperback
  • SKU:  0887487084-11-MING
  • SKU:  0887487084-11-MING
  • Item ID: 106887999
  • List Price: $20.00
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Sep 26 to Sep 28
  • Notes: Brand New Book. Order Now.
Poems that center on the sinister American cryptid, the Goatman of Pope Lick.

In her sixth collectionGoat-Footed Gods, award-winning poet, essayist, and teacher Kathleen Driskell seeks to rehabilitate the reputation of the infamous Goatman of Pope Lick, identified byThe Washington Postas one of the deadliest cryptids in America. The Goatman or Pope Lick Monster, a legendary creature long rumored to roam the woods around Driskell's Kentucky home, is alleged to have caused the deaths of at least five young people at Pope Lick Trestle, a railroad bridge with a ninety-foot drop at its center. The Goatman lyrics are braided with poems about Driskell’s child’s traumatic injury from a fall. Always at the heart of Driskell’s poetry is her insistence that the path to the sacred is found not through the doctrine of ancient gods, but in walking clear-eyed through the dark woods of our historical past and exploring the never-ending wonder of the natural world.Award-winning poet, essayist, and teacher,Kathleen Driskellis the author of five collections of poetry. Her poems and essays have been published inThe New Yorker, River Teeth, Southern Review, Shenandoah, Appalachian Review, and other literary magazines. She is chair of the Sena Jeter Naslund-Karen Mann Graduate School of Writing at Spalding University in Louisville.
"Kathleen Driskell’s poems inGoat-Footed Godsare a lesson in creaturehood, motherhood, and the act of mothering creatures in this world. The voices are many and spatially arranged, capturing events in nature — whether real and local or mythic and imagined. Many poems in the book betray a Keatsian capability in the way they place loss and grief amidst the plenty of life. Others give a sense of freedom, a breaking away from rigid, contractual boundaries drawn by us between truth and myth, myth and reality, love and death, urging the reader to accept and rest in the chlS