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Good Night The Pleasure Was Ours [Paperback]

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  • Category: Books (Poetry)
  • Author:  Grubbs, David
  • Author:  Grubbs, David
  • ISBN-10:  1478018178
  • ISBN-10:  1478018178
  • ISBN-13:  9781478018179
  • ISBN-13:  9781478018179
  • Pub Date:  01-Jun-2022
  • Pub Date:  01-Jun-2022
  • SKU:  1478018178-11-MPOD
  • SKU:  1478018178-11-MPOD
  • Binding:  Paperback
  • Binding:  Paperback
  • Pages:  168
  • Pages:  168
  • Publisher:  Duke University Press
  • Publisher:  Duke University Press
  • Item ID: 105975123
  • List Price: $21.95
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Oct 13 to Oct 15
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.
WithGood night the pleasure was ours, David Grubbs melts down and recasts three decades of playing music on tour into a book-length poem, bringing to a close the trilogy that includesNow that the audience is assembledandThe Voice in the Headphones. InGood night the pleasure was ours, the world outside the tour filters in with eccentric sparseness. From teenage punk bands to ensembles without fixed membership, and from solo performance to a group augmented by digital avatars, Grubbs presents touring as a series of daily dislocations that provides an education distinctly its own. These musicians’ job is to play that evening’s gig—whether to enthusiastic, hostile, or apathetic audiences—and then to do it again the next day. And yet, over the course of the book’s multidecade arc, Grubbs depicts music making as an irreversible process—one reason for loving it so.USIn this book-length poem David Grubbs melts down and recasts three decades of playing music on tour, capturing the daily life of touring as a world unto itself.David Grubbs is Professor of Music at Brooklyn College and The Graduate Center, City University of New York. As a musician, Grubbs has released fourteen solo albums and appeared on more than two hundred commercially released recordings.
“David Grubbs, dazzlingly protean, turns musical-time into poetry-time by streaming condensed, sonorous phrases through his own magical verse-machine, Dantean in its three-pronged approach to paradise. Grubbs takes the entire experience of music making—listening, practicing, improvising, recording, performing, touring, reconsidering, remembering—and gives these complexities a porous and filigreed poetic form, transforming an evanescent panoply of acoustic events into a bravura verbal monument, as if Cage and Mallarmé had found a way to build a singing cathedral together.”
“Full of vivid material, beautiful lal#%