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Graphic Design, Print Culture, and the Eighteenth-Century Novel [Paperback]

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  • Category: Books (Literary Criticism)
  • Author:  Barchas, Janine
  • Author:  Barchas, Janine
  • ISBN-10:  0521090571
  • ISBN-10:  0521090571
  • ISBN-13:  9780521090575
  • ISBN-13:  9780521090575
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  316
  • Pages:  316
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2008
  • Pub Date:  01-May-2008
  • SKU:  0521090571-11-MPOD
  • SKU:  0521090571-11-MPOD
  • Item ID: 101408206
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Jan 20 to Jan 22
  • Notes: Brand New Book. Order Now.
Barchas explains how from the beginning of the novel's emergence in Britain, prose writers experimented with its appearance.The uniformity of the eighteenth-century novel in today's paperbacks and critical editions no longer conveys the early novel's visual exuberance. Janine Barchas explains how during the genre's formation in the first half of the eighteenth century, the novel's material embodiment as printed book rivalled its narrative content in diversity and creativity. From the beginning of the novel's emergence in Britain, prose writers including Daniel Defoe, Jonathan Swift, and Henry and Sarah Fielding experimented with the novel's appearance.The uniformity of the eighteenth-century novel in today's paperbacks and critical editions no longer conveys the early novel's visual exuberance. Janine Barchas explains how during the genre's formation in the first half of the eighteenth century, the novel's material embodiment as printed book rivalled its narrative content in diversity and creativity. From the beginning of the novel's emergence in Britain, prose writers including Daniel Defoe, Jonathan Swift, and Henry and Sarah Fielding experimented with the novel's appearance.The uniformity of graphic design in contemporary paperback and critical editions of the eighteenth-century novel no longer conveys the visual appeal of early editions. Janine Barchas explains how the novel's material embodiment as printed book rivalled its narrative content in diversity and creativity in the first half of the eighteenth century. Prose writers such as Daniel Defoe, Jonathan Swift, and Henry and Sarah Fielding experimented with the novel's physical appearance from the beginning of its emergence in Britain.Acknowledgements; List of illustrations; 1. Expanding the literary text: a textual studies approach; 2. The frontispiece: counterfeit authority and the author portrait; 3. The title page: advertisement, identity, and deceit; 4. Clarissa's musical score: a novel's politics engralß
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