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Harrison Birtwistle's Operas and Music Theatre [Paperback]

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  • Category: Books (Music)
  • Author:  Beard, David
  • Author:  Beard, David
  • ISBN-10:  1316641988
  • ISBN-10:  1316641988
  • ISBN-13:  9781316641989
  • ISBN-13:  9781316641989
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  488
  • Pages:  488
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2017
  • Pub Date:  01-May-2017
  • SKU:  1316641988-11-MPOD
  • SKU:  1316641988-11-MPOD
  • Item ID: 101809709
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jan 20 to Jan 22
  • Notes: Brand New Book. Order Now.
A definitive source study of the stage works of Harrison Birtwistle, one of Britain's foremost living composers.Beard presents a definitive study of the works of Harrison Birtwistle, one of Britain's foremost living composers and a leading exponent of music drama. Drawing upon a substantial body of previously undocumented primary sources, the book goes beyond previous studies of the composer to include works unveiled from 2000 onwards.Beard presents a definitive study of the works of Harrison Birtwistle, one of Britain's foremost living composers and a leading exponent of music drama. Drawing upon a substantial body of previously undocumented primary sources, the book goes beyond previous studies of the composer to include works unveiled from 2000 onwards.David Beard presents the first definitive survey of Harrison Birtwistle's music for the opera house and theatre, from his smaller-scale works, such as Down by the Greenwood Side and Bow Down, to the full-length operas, such as Punch and Judy, The Mask of Orpheus and Gawain. Blending source study with both music analysis and cultural criticism, the book focuses on the sometimes tense but always revealing relationship between abstract musical processes and the practical demands of narrative drama, while touching on theories of parody, narrative, pastoral, film, the body and community. Each stage work is considered in terms of its own specific musico-dramatic themes, revealing how compositional scheme and dramatic conception are intertwined from the earliest stages of a project's genesis. The study draws on a substantial body of previously undocumented primary sources and goes beyond previous studies of the composer's output to include works unveiled from 2000 onwards.1. The roots of Birtwistle's theatrical expression: from Pantomime to Down by the Greenwood Side; 2. Punch and Judy: parody, allusion, and the grotesque; 3. The Mask of Orpheus: 'lyrical formalism', time and narrative; 4. Yan Tan Tethera: pastoral labyrilÓÈ
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