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An old woman enters into a fantastical world of dreams and nightmares in this surrealist classic admired by Björk and Luis Buñuel.
Leonora Carrington, painter, playwright, and novelist, was a surrealist trickster par excellence, and The Hearing Trumpet is the witty, celebratory key to her anarchic and allusive body of work. The novel begins in the bourgeois comfort of a residential corner of a Mexican city and ends with a man-made apocalypse that promises to usher in the earth’s rebirth. In between we are swept off to a most curious old-age home run by a self-improvement cult and drawn several centuries back in time with a cross-dressing Abbess who is on a quest to restore the Holy Grail to its rightful owner, the Goddess Venus. Guiding us is one of the most unexpected heroines in twentieth-century literature, a nonagenarian vegetarian named Marian Leatherby, who, as Olga Tokarczuk writes in her afterword, is “hard of hearing” but “full of life.” It’s an extraordinary surrealist tale — hilarious and terrifying — and one that everyone should read. I like surrealism and anarchism in art. I like provocations. Hers is a unique voice, full of light and gravitas at once, a truly revolutionary spirit. A bitter, dark sense of humor that perfectly suits our era, although this slim novel was published almost 50 years ago. —Olga Tokarkczuk, New York Times
“[O]ne of the great comic novels of the twentieth century, The Hearing Trumpet reads like a spectacular reassemblage of old and new genres, the campy, illegitimate offspring of Margaret Cavendish’s romances and Robert Graves’s histories, with Thomas Pynchon’s riotous paranoia spliced in to keep it limber and receptive to the political anxieties of its moment.&rdlÎ