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Hellenistic and Roman Ideal Sculpture The Allure of the Classical [Hardcover]

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  • Category: Books (Art)
  • Author:  Kousser, Rachel Meredith
  • Author:  Kousser, Rachel Meredith
  • ISBN-10:  0521877822
  • ISBN-10:  0521877822
  • ISBN-13:  9780521877824
  • ISBN-13:  9780521877824
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  226
  • Pages:  226
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-May-2008
  • Pub Date:  01-May-2008
  • SKU:  0521877822-11-MPOD
  • SKU:  0521877822-11-MPOD
  • Item ID: 100204393
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jan 20 to Jan 22
  • Notes: Brand New Book. Order Now.
This book is an illuminating analysis showing the power and allure of Greek Classical past in Hellenistic and Roman art.In this book, Rachel Kousser draws on contemporary reception theory to present a new approach to Hellenistic and Roman ideal sculpture. She analyzes the Romans preference for retrospective, classicizing statuary based on Greek models as opposed to the innovative creations prized by modern scholars.In this book, Rachel Kousser draws on contemporary reception theory to present a new approach to Hellenistic and Roman ideal sculpture. She analyzes the Romans preference for retrospective, classicizing statuary based on Greek models as opposed to the innovative creations prized by modern scholars.In this book, Rachel Kousser draws on contemporary reception theory to present a new approach to Hellenistic and Roman ideal sculpture. She analyzes the Romans preference for retrospective, classicizing statuary based on Greek models as opposed to the innovative creations prized by modern scholars. Using a case study of a particular sculptural type, a forceful yet erotic image of Venus, Kousser argues that the Romans self-consciously employed such sculptures to represent their ties to the past in a rapidly evolving world. Kousser presents Hellenistic and Roman ideal sculpture as an example of a highly effective artistic tradition that was, by modern standards, extraordinarily conservative. At the same time, the Romans flexible and opportunistic use of past forms also had important implications for the future: it constituted the origins of classicism in Western art.1. Creating the past: the origins of classicism in Hellenistic sculpture; 2. From Greece to Rome: retrospective sculpture in the early empire; 3. From metropolis to empire: retrospective sculpture in the high empire; 4. From Roman to Christian: retrospection and transformation in late antique art.Kousser demonstrates how careful iconographic analysis of the material can be insightful and help us l£"
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