This updating of our previous title, The Point Where All Things Meet, which Tom Andrews edited in 1994, selects from the contents of that earlier book and adds many new essays that have appeared in the interim. The result is a complex and generous survey of Charles Wright's trilogy of trilogies, the sweeping project encompassed in the selected volumes comprised by Country Music (1982), The World of the Ten Thousand Things (1990), and Negative Blue (2000).
Introduction REVIEWS Charles Wrights Country Music (1991) David St. John from One for the Rose and The Southern Cross (1982) David Walker from Lives in a Rearview Mirror (1984) David Kalstone from The Trace of a Story Line ?Mark Jarman from The Pragmatic Imagination and Secret of Poetry (1988) Mark Jarman Travels in Time (1998) Helen Vendler Zone Journals (1991) Sherod Santos from An Elegists New England, a Buddhists Dante (1991) Richard Tillinghast The Blood Bees of Paradise (1991) David Young Improvisations on Charles Wrights The World of the Ten Thousand Things (1992) Tom Andrews Charles Wrights Hymn (1991) Christopher Buckley The Nothing That Is (1995) Helen Vendler from On Restraint David Baker from Earned Weight James Longenbach Between Heaven and Earth (1999) Adam Kirsch Ars Longa (1999) J. D. McClatchy An Enchanted, Diminished World (2000) Ron Smith ESSAYS The Transcendent I (1979) Helen Vendler Tracing Charles Wright Calvin Bedient Under the Sign of the Cross (1989) J. D. McClatcy Things that Lock Our Wrists to the Past: Self-Portraiture and Autobiography in Charles Wrights Poetry (1989) James McCorkle Gospel Music: Charles Wright and the High Lonesome (1992) Michael Chitwood Charles Wright and Presences in Absence (1994) Julian Gitzen The Capabilities of Charles Wright (1992) Stephen Cushman Metaphysics of the Image in Charles Wright and Paul C?sanne(1994) Bruce BlsĀ