This revealing history of the American film musical synthesizes the critical literature on the genre and provides a series of close analytical readings of iconic musical films, focusing on their cultural relationship to other aspects of American popular music.
- Offers a depth of scholarship that will appeal to students and scholars
- Leads a crucial analysis of the cultural context of musicals, particularly the influence of popular music on the genre
- Delves into critical issues behind these films such as race, gender, ideology, and authorship
- Features close readings of canonical and neglected film musicals from the 1930s to the present including: Top Hat, Singin' in the Rain, Woodstock, Gimme Shelter, West Side Story, and Across the Universe
List of Plates ix
Acknowledgments xiii
Introduction 1
1 Historical Overview 7
2 Critical Overview 38
3 Gold Diggers of 1933 (1933) 55
4 Top Hat (1935) 70
5 The Pirate (1948) 85
6 West Side Story (1961) and Saturday Night Fever (1977) 99
7 Woodstock (1970) 116
8 Phantom of the Paradise (1974) 131
9 Pennies from Heaven (1981) and Across the Universe (2007) 146
References 165
Index 171
“Summing Up: Recommended.  Lower-and upper-division undergraduates; general readers.”  (Choice, 1 November 2012)
Barry Keith Grant is Professor of Communication, Popular Culture, and Film at Brock University in Ontario, Canada. He is the author or editor of more than two dozenlĂ