What happens when musicians make use of ideas and strategies from the art world? And what kind of pictures result when painters are influenced by music? To be interested in other people’s lives, to follow the unknown, to copy it, to use it in one’s own work—in short, to cross-map between the worlds of music and the visual arts: this is the subject ofHYPER! A Journey into Art and Music curated by Max Dax, the former editor-in-chief ofSpexandElectronic Beats. The book will include classic works such as Peter Saville’s ground-breaking album cover for New Order’s 1983 masterpiecePower, Corruption and Lies, and the narrative, minimalist imagery of Emil Schult on which the cover of Kraftwerk’s 1974 album,Autobahn, was based, and Cyprien Gaillard’s acclaimed 3D installation,Night Life, from 2015. The mutual influences between music and art will be illustrated with examples by Albert Oehlen and Scooter, Thomas Scheibitz and the Melvins, as well as Daniel Blumberg. Photographs and video works by Andrea Stappert, Sven Marquardt, Andreas Gursky, The KLF, Mark Leckey, and Bettina Pousttchi will lend the book a documentary dimension. The book is narratively underpinned by numerous background interviews that Max Dax conducted with the participants inHYPER!over the past thirty years.
Max Dax was editor-in-chief from 2007 to 2010 ofSpex, a famous German music magazine, well known in the scene as the organ of the punk and new wave scenes. Dirk Luckow has been the General Director of the Deichtorhallen Hamburg since 2009. He graduated in 1996 with a dissertation on Joseph Beuys and the American Anti-Form-Art. Luckow has since worked at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, the Solomon R. Guggenheim Museum in New York, and the Württembergische Kunstverein in Stuttgart.lƒ1