Icons of Life A Cultural History of Human Embryos [Paperback]

Icons of Lifetells the engrossing and provocative story of an early twentieth-century undertaking, the Carnegie Institution of Washington's project to collect thousands of embryos for scientific study. Lynn M. Morgan blends social analysis, sleuthing, and humor to trace the history of specimen collecting. In the process, she illuminates how a hundred-year-old scientific endeavor continues to be felt in today's fraught arena of maternal and fetal politics. Until the embryo collecting project-which she follows from the Johns Hopkins anatomy department, through Baltimore foundling homes, and all the way to China-most people had no idea what human embryos looked like. But by the 1950s, modern citizens saw in embryos an image of ourselves unborn, and embryology had developed a biologically based story about how we came to be. Morgan explains how dead specimens paradoxically became icons of life, how embryos were generated as social artifacts separate from pregnant women, and how a fetus thwarted Gertrude Stein's medical career. By resurrecting a nearly forgotten scientific project, Morgan sheds light on the roots of a modern origin story and raises the still controversial issue of how we decide what embryos mean.

Lynn M. Morganis Mary E. Woolley Professor of Anthropology at Mount Holyoke College and is coeditor (with Meredith W. Michaels) ofFetal Subjects, Feminist Positions.

Fascinating!Icons of Lifeis an account of how we have come to know ourselves as ourselves, both a compelling human origin story and an engaging tale of intellectual curiosity, biological specimens, reproductive politics, and science. Morgan draws skillfully on her ethnographic toolkit to reveal the social context of embryology alongside the cultural and scientific work of crafting objective 'facts of life' from unremarkable flesh. Monica J. Casper, author ofThe Making of the Unborn Patient

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