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Identity and Locality in Early European Music, 1028}}}1740 [Hardcover]

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  • Category: Books (Music)
  • ISBN-10:  0754664872
  • ISBN-10:  0754664872
  • ISBN-13:  9780754664871
  • ISBN-13:  9780754664871
  • Publisher:  Routledge
  • Publisher:  Routledge
  • Pages:  272
  • Pages:  272
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-May-2009
  • Pub Date:  01-May-2009
  • SKU:  0754664872-11-MPOD
  • SKU:  0754664872-11-MPOD
  • Item ID: 100801607
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Jul 13 to Jul 15
  • Notes: Brand New Book. Order Now.
This collection presents numerous discoveries and fresh insights into music and musical practices that shaped distinctly localized individual and collective identities in pre-modern and early modern Europe. Contributions by leading and emerging European music experts fall into three areas: plainchant traditions in Aquitania and the Iberian peninsula during the first 700 years of the second millennium; late medieval musical aesthetics, traditions and practices in Paris, Padua, Prague and more generally England, Germany and Spain; and local traditions in Renaissance Augsburg and Baroque Naples and Dresden. In addition to in-depth readings of anonymous musical traditions, contributors provide new details concerning the lives and music of well-known composers such as Ad?mar de Chabannes, Bartolino da Padova, Ciconia, Josquin, Senfl, Alessandro Scarlatti, Heinichen and Zelenka. This book will appeal to a broad range of readers, including chant scholars, medievalists, music historians, and anyone interested in music's place in pre-modern and early modern European culture.Contents: Preface; Introduction; Part I Identity and Practice in Aquitanian and Iberian Plainchant: Ad?mar de Chabannes at the nexus of tradition and innovation, James Grier; Seeking early practice for the exultet in Iberia, Kathleen E. Nelson; Regional and royal: aspects of practice in 3 Portuguese prints of the Lamentations of Jeremiah (1543-1595), Jane Morlet Hardie; Plainsong in Eastern Spain and the tono valenciano, Greta J. Olson. Part II Late Medieval Aesthetics, Traditions and Practices: Some early references to Aristotle's Politics in Parisian writings about music, Catherine Jeffreys; Music and moral philosophy in early 15th-century Padua, Jason Stoessel; Late-medieval sacred songs: tradition, memory and history, Reinhard Strohm. Part III Local Practices in Renaissance and Baroque Music: Pervasive imitation in Senfl's Ave Maria...Virgo Serens: borrowing from Josquin in 16th-century Augsburg, Miral£(
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