Acknowledgements
A Note on Transliteration???????????????????????????????????????????????????????????????????????
Introduction: Iranian Cinema with Psychoanalysis (or Watching Iranian Movies with Lacan)???????????????????????????????????????????????????????????????????
?
Part I. Desire between Gaze and Voice
?
Chapter 1: A Cinema of Desire: The Object-Gaze in Shirin and Baran
1.1? The Gaze in Lacan: From Screen Theory to the Object-Gaze
1.2? The Averted Gaze as Looking Awry: An Islamic Theory of the Gaze
1.3? The Film Returns the Gaze: Abbas Kiarostamis Shirin
1.4? The Fantasized Object-Gaze in Baran
?
Chapter 2: The Voice as Love Obejct: The Acousmatic Voice in Gabbeh and The May Lady????????????????????????????????????????????????????????????????????
2.1 Chion with Lacan: The Acousmatic Voice and Feminist
Psychoanalytic Film Theory
2.2 Veiling and Aurality: An Islamic Theory of the Female Voice
2.3 The Acousmatic Voice in Gabbeh
2.4 The Acousm?tre in The May Lady
?
Part II. The Fright of Real Desires
?
Chapter 3: From Femininity to Masculinity and Back: The Feminine No!
in Daughters of the Sun
3.1 Daughters of the Sun (Dokhtaran-e khorshid)
3l&