Winesburg, Ohio, gave birth to the American story cycle, for which William Faulkner, F. Scott Fitzgerald, and later writers were forever indebted. Defying the prudish sensibilities of his time, Anderson never omitted anything adult, harsh, or shocking; instead he embraced frankness, truth, and the hidden depths everyone possesses. Here we meet young George Willard, a newspaper reporter with dreams; Kate Swift, the schoolteacher who attempts to seduce him; Wing Biddlebaum, a berry picker whose hands are the source of both his renown and shame; Alice Hindman, who has one last adventure; and all the other complex human beings whose portraits brought American literature into the modern age. Their stories make up a classic and place its author alongside the best of American writers.   
With an Introduction by Irving Howe and an Afterword by Dean Koontz  “A work of love, an attempt to break down the walls that divide one person from another, and also, in its own fashion, a celebration of small-town life in the lost days of goodwill and innocence.”—Malcolm Cowley   “He was the father of my whole generation of writers.”—William FaulknerSherwood Anderson(1876–1941) was an American short story writer and novelist. He was raised in the small town of Clyde, Ohio, served in the Spanish-American War, and managed a paint factory before abandoning his job and his wife for Chicago and the writer’s life. He was forty before his first novel, Windy McPherson’s Son, was published in the peak of the Chicago Renaissance. Winesburg, Ohio, his masterpiece, appeared in 1919. His other novels include Poor White (1920) and Dark Laughter (1925), but his short story collectionsl<