This book offers a fresh and diverse perspective on home musical activities of young children from a variety of countries, including; Brazil, Denmark, Greece, Israel, Kenya, the Netherlands, Singapore, Spain, South Africa,Taiwan, the UK, and the United States. Narrowing their study to seven-year-olds from middle-class families, the articles in this volume argue that home musical experiences provide new and important windows into musical childhoods as they relate to issues of identity, family life, gender, culture, social class and schooling. Though childhood musical engagement differs considerably, it has direct implications for a better understanding of music education and childhood development. Using a wiki to share data and research across time and space, this volume is a model for collaborative cross-cultural research and is centered on the home as a primary research site for children's musical engagement.
Acknowledgements
Introduction: MyPlace, MyMusic: Childrens Home Musical Experiences Across the World / Beatriz Ilari and Susan Young
Section 1: Theoretical Framework and Methods
1. Musical Childhoods: Theoretical Background and New Directions / Susan Young
2. The MyPlace, MyMusic Wiki: Enabling and Transforming the Methods and Processes of Research / J?ssica P?rez
Section 2: Thematic Interpretations
3. Public and Private Musical Worlds of Children / Claudia Gluschankof
4. Belonging and Identity: Exploring Gendered Meanings of Musicking in Seven-year-olds / Elizabeth Andango and Caroline Brendel Pacheco
5. Nurturing MY MUSICal Child: Parental Perspectives and Influences / Theano Koutsoupidou
6. Middle Class Musical Childhoods: Autonomy, Concerted Cultivation, and Consumer Culture / Beatriz Ilari
Section 3: New Ideas
7. Nurturing the Musical Open-Earedness of Seven-year-olds / Diane Persellin
8. Musical Childhoods in South Africa: The times they are a-changin' / Sheila C. Woodward
9. The Influence oflÓ)