Fast-paced and compelling . . . Waxman has an array of wondrous tales to tell . . . Considerable, admirable, and totally absorbing. The Boston Globe
For the past two centuries, the West has plundered the treasures of the ancient world to fill its great museums, but in recent years the countries where ancient civilizations originated have begun to push back, taking museums to court, prosecuting curators, and threatening to force the return of these priceless objects.
Sharon Waxman brings us inside this high-stakes conflict, from the great cities of the West to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She shows how the actions of a few determined and implacable characters may yet strip these museums of some of their most cherished treasures.
For readers who are fascinated by antiquity, who love to frequent museums, and who believe in the value of cultural exchange,Lootopens a new window on an enduring conflict.
Sharon Waxman has written a compelling page turner about the world of antiquities and art-world skulduggery. She manages to combine rigorous, scholarly reporting with a flair for intrigue and personality that givesLootthe fast pace of a novel. I enjoyed it immensely. Tina Brown
Lootis a riveting foray into the biggest question facing museums today: who should own the great works of ancient art? Sharon Waxman is a first-rate reporter, a veritable Euphronios of words, who not only explores the legal and moral ambiguities of the conflict but brings to life the colorful -- even outrageous -- personalities facing off for a high noon showdown over some of the world's iconic works of art. Vivid, witty, and delightful, this book will beguile any reader with an interest in art and museums. Douglas Preston, author of The Monster of Florence
Sharon Waxman'sLootisls*