Brings together psychological, feminist, historical, and post-colonial perspectives on a significant twentieth-century work.Long recognized as one of the most significant paintings of the twentieth century, contributors to this volume consider Picasso's Les Demoiselles d'Avignon from a variety of methodological and topical perspectives, including psychoanalytical, feminist, historical, and post-colonial. Through these various analyses, the contributors explore the power and significance of Les Demoiselles d'Avignon, situating the work within twentieth century art history as a whole and debates over Primitivism, sexuality, and stylistic change.Long recognized as one of the most significant paintings of the twentieth century, contributors to this volume consider Picasso's Les Demoiselles d'Avignon from a variety of methodological and topical perspectives, including psychoanalytical, feminist, historical, and post-colonial. Through these various analyses, the contributors explore the power and significance of Les Demoiselles d'Avignon, situating the work within twentieth century art history as a whole and debates over Primitivism, sexuality, and stylistic change.Long recognized as one of the most significant paintings of the twentieth century, contributors to this volume consider Picasso's Les Demoiselles d'Avignon from a variety of methodological and topical perspectives, including psychoanalytical, feminist, historical, and postcolonial. Through these various analyzes, the contributors explore the power and significance of Les Demoiselles d'Avignon, situating the work within twentieth century art history and debates over Primitivism, sexuality, and stylistic change.1. An introduction to Les Demoiselles d'Avignon; 2. Les Demoiselles d'Avignon and the exhibition of 1988; 3. Painting as trauma; 4. 'To kill the nineteenth century': sex and spectatorship with Gertrude and Pablo; 5. Colonialism, 'l'Art Negre' and Les Demoiselles d'Avignon; 6. In another frame: Les Demoil£Ã