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Mark Twain: Historical Romances (LOA #71): The Prince and the Pauper / A Connecticut Yankee in King Arthur's Court / Personal Recollections of Joan o [Hardcover]

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  • Category: Books (Fiction)
  • Author:  Twain, Mark
  • Author:  Twain, Mark
  • ISBN-10:  0940450828
  • ISBN-10:  0940450828
  • ISBN-13:  9780940450820
  • ISBN-13:  9780940450820
  • Publisher:  Library of America
  • Publisher:  Library of America
  • Pages:  1050
  • Pages:  1050
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-May-1994
  • Pub Date:  01-May-1994
  • SKU:  0940450828-11-SPLV
  • SKU:  0940450828-11-SPLV
  • Item ID: 100412131
  • List Price: $40.00
  • Seller: ShopSpell
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  • Delivery by: Oct 10 to Oct 12
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.
In the three novels collected in this Library of America volume, Mark Twain turned his comic genius to a period that fascinated and repelled him in equal measure: medieval and Renaissance Europe. This lost world of stately pomp and unspeakable cruelty, artistic splendor and abysmal ignorance—the seeming opposite of brashly optimistic, commercial, democratic nineteenth-century America—engaged Twain’s imagination, inspiring a children’s classic, and astonishing fantasy of comedy and violence, and an unusual fictional biography.
 
Twain drew on his fascination with impersonation and the theme of the double in The Prince and the Pauper (1882), which brilliantly uses the device of identical boys from opposite ends of the social hierarchy to evoke the tumultuous contrasts of Henry VIII’s England. As the pauper Tom Canty is raised to the throne, while the rightful heir is cast out among thieves and beggars, Twain sustains one of his most compelling narratives. A perennial children’s favorite, the novel brings an impassioned American point of view to the injustices of traditional European society.

A Connecticut Yankee in King Arthur’s Court 
(1889) finds Twain in high satiric form. When hard-headed Yankee mechanic Hank Morgan is knocked out in a fight, he wakes up in Camelot in A.D. 528—and finds himself pitted against the medieval rituals and superstitions of King Arthur and his knights. In a hilarious burlesque of the age of chivalry and of its cult in the nineteenth-century American South, Twain demolishes knighthood’s romantic aura to reveal a brutish, violent society beset by ignorance. But the comic mood gives way to a darker questioning of both ancient and modern society, culminating in an astonishing apocalyptic conclusion that questions both Amerly
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