Winner of the SFSU Poetry Center Book Award (2010)
One of the most notable members of the New York School—and its best-known woman—Barbara Guest began writing poetry in the 1950s in company that included John Ashbery, Kenneth Koch, Frank O’Hara, and James Schuyler. And from the beginning, her practice placed her at the vanguard of American writing. Guest’s poetry, saturated in the visual arts, extended the formal experiments of modernism, and played the abstract qualities of language against its sensuousness and materiality. Now, for the first time, all of her published poems have been brought together in one volume, offering readers and scholars unprecedented access to Guest’s remarkable visionary work. This Collected Poems moves from her early New York School years through her more abstract later work, including some final poems never before published. Switching effortlessly from the real to the dreamlike, the observed to the imagined, this is poetry both gentle and piercing—seemingly simple, but truly and beautifully dislocating.The lifework of a preeminent New York School poetIntroduction: Fair Realist - Peter Gizzi Timeline Works by Barbara Guest Notes and AcknowledgmentsTHE LOCATION OF THINGSThe Location of Things Piazzas All Grey-Haired My Sisters Windy Afternoon Russians at the Beach The Hero Leaves His Ship Les Réalités In the Middle of the Easel On the Way to Dumbarton Oaks Cape Canaveral Sunday Evening Parachutes, My Love, Could Carry Us Higher The Crisis Upside Down Seeing You Off Safe Flights Sadness Jaffa Juce In Dock People in Wartime Landing History Oriental Movie The Crisis West Sixty-Fourth Street The Time of Day Heroic Stages In America, the Seasons Belgravia In the Alps The Past of a PoemARCHAICSAtalanta in Arcadia “From Eyes Blue and Cold” Dido to Aeneas Green Awnings