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Absolute Music and the Construction of Meaning [Paperback]

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  • Category: Books (Music)
  • Author:  Chua, Daniel
  • Author:  Chua, Daniel
  • ISBN-10:  0521027519
  • ISBN-10:  0521027519
  • ISBN-13:  9780521027519
  • ISBN-13:  9780521027519
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  328
  • Pages:  328
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2006
  • Pub Date:  01-May-2006
  • SKU:  0521027519-11-MPOD
  • SKU:  0521027519-11-MPOD
  • Item ID: 100707888
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Apr 01 to Apr 03
  • Notes: Brand New Book. Order Now.
This book examines the intellectual history of instrumental music and its power to construct meaning.This book examines the intellectual history of instrumental music, in particular the idea of absolute music. It tries to show how certain ideas in philosophy, theology and the sciences affect the meaning and, indeed, the existence of instrumental music, and how, in turn, instrumental music is used to resolve or exemplify certain problems in modern culture. Instead of existing in a pure and autonomous form, music is woven back into the epistemological fabric and entangled with numerous discourses, thus demonstrating the centrality of music in the construction of meaning.This book examines the intellectual history of instrumental music, in particular the idea of absolute music. It tries to show how certain ideas in philosophy, theology and the sciences affect the meaning and, indeed, the existence of instrumental music, and how, in turn, instrumental music is used to resolve or exemplify certain problems in modern culture. Instead of existing in a pure and autonomous form, music is woven back into the epistemological fabric and entangled with numerous discourses, thus demonstrating the centrality of music in the construction of meaning.This book examines the intellectual history of instrumental music, in particular the idea of absolute music. It tries to show how certain ideas in philosophy, theology and the sciences affect the meaning and, indeed, the existence of instrumental music, and how, in turn, instrumental music is used to resolve or exemplify certain problems in modern culture. Instead of existing in a pure and autonomous form, music is woven back into the epistemological fabric and entangled with numerous discourses, thus demonstrating the centrality of music in the construction of meaning.List of illustrations; Acknowledgements; On the preface; Part I. The Garden of Eden: 1. On history; 2. On modernity; 3. On disenchantment; 4. On division; 5. On opera; 6. lój
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