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Early Music History Studies in Medieval and Early Modern Music [Paperback]

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  • Category: Books (Literary Criticism)
  • ISBN-10:  0521104335
  • ISBN-10:  0521104335
  • ISBN-13:  9780521104333
  • ISBN-13:  9780521104333
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  332
  • Pages:  332
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Apr-2009
  • Pub Date:  01-Apr-2009
  • SKU:  0521104335-11-MPOD
  • SKU:  0521104335-11-MPOD
  • Item ID: 100763303
  • Seller: ShopSpell
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  • Delivery by: Jan 20 to Jan 22
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Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century.Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume six include: On the question of psalmody in the ancient synagogue; Music and grammar: imitation and analogy in Morales and the Spanish humanists; and a Florentine chansonnier of the early sixteenth century.Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in volume six include: On the question of psalmody in the ancient synagogue; Music and grammar: imitation and analogy in Morales and the Spanish humanists; and a Florentine chansonnier of the early sixteenth century.Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume six include: On the question of psalmody in the ancient synagogue; Music and grammar: imitation and analogy in Morales and the Spanish humanists; and a Florentine chansonnier of the early sixteenth century.1. A Florentine chansonnier of the early sixteenth century: Florence, Biblioteca Nazionale Centrale, MS Magliabechi xix 117 Lawrence F. Bernstein; 2. Some non-conflicting attributions and some newly anonymous compositions from the early sixteenth century Stanley Boorman; 3. On the question of psalmody in the ancient synagogue James W. McKinnon; 4. Text declamation as a determinant of melodic form in the Ollg
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