Introduction
Part 1
1. Emotions as judgments or as modes of seeing-as : The explanatory challenges toward a causal account for emotional episodes
2. The sub-personalist accounts
3. The primal scene accounts: developmental etiologies
4. The primal memory accounts: the narrative approach
Part 2
5. An associative account of emotions
6. The associative method of inquiry into ones emotional patterns
Conclusion.
Index
The emotions pose many philosophical questions. We don't choose them; they come over us spontaneously. Sometimes emotions seem to get it wrong: we experience wrongdoing but do not feel anger, feel fear but recognise there is no danger. Yet often we expect emotions to be reasonable, intelligible and appropriate responses to certain situations. How do we explain these apparent contradictions?
Emotion, Imagination, and the Limits of Reason presents a bold new picture of the emotions that challenges prevailing philosophical orthodoxy. Talia Morag argues that too much emphasis has been placed on the reasonableness of emotions and far too little on two neglected areas: the imagination and the unconscious. She uses these to propose a new philosophical and psychoanalytic conception of the emotions that challenges the perceived rationality of emotions; views the emotions as fundamental to determining one's self-image; andlS