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Framing the Interpreter: Towards a visual perspective [Hardcover]

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  • Category: Books (Language Arts & Disciplines)
  • ISBN-10:  0415712734
  • ISBN-10:  0415712734
  • ISBN-13:  9780415712736
  • ISBN-13:  9780415712736
  • Publisher:  Routledge
  • Publisher:  Routledge
  • Pages:  220
  • Pages:  220
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Dec-2014
  • Pub Date:  01-Dec-2014
  • SKU:  0415712734-11-MPOD
  • SKU:  0415712734-11-MPOD
  • Item ID: 100782221
  • Seller: ShopSpell
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  • Delivery by: Oct 12 to Oct 14
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.

Part I: Methodological approaches  Part II: Colonial Exposures  Part III: First World War: Messengers of victory  Part IV: Second World War: Power in many guises  Part V: Cold War: The field, the table and the booth  

Anxo Fern?ndez-Ocampo is Senior Lecturer at the Faculty of Philology and Translation, University of Vigo, Spain.

Michaela Wolf is Associate Professor at the Department of Translation Studies, University of Graz, Austria. She is the author of Die vielsprachige Seele Kakaniens. ?bersetzen und Dolmetschen in der Habsburgermonarchie 1848 bis 1918 (2012).

'Framing the Interpreter is a ground-breaking volume that illuminates the power of visual media to shape our understanding of interpreters and interpreter mediation in situations of conflict and beyond. A rich source of conceptual tools and methodological guidance, this work will appeal to scholars working at the interface of disciplines.' Rebecca Tipton, University of Manchester, UK

Situations of conflict offer special insights into the history of the interpreter figure, and specifically the part played in that history by photographic representations of interpreters.

This book analyses photo postcards, snapshots and press photos from several historical periods of conflict, associated with different photographic technologies and habits of image consumption: the colonial period, the First and Second World War, and the Cold War. The books methodological approach to the framing of the interpreter uses tools taken primarily from visual anthropology, sociology and visual syntax to analyse the imagery of the modern era of interpreting. By means of these interpretative frames, the contributions suggest that each culture, subculture or sociallӃ

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