An interdisciplinary approach to the study of women and property, combining literature, history, and economics. By looking at women's marriage narratives over a long period of time, the book reveals the deep discontent with the institution of property ownership as a unifying thread from the Middle Ages up through the twentieth-century.Silence and Women's Authority Property's History, Property's Literature Silence, Language, Sexuality Medieval Women Reject Marriage: Heloise and Marie de France Sexual Purity as Property: Vie Seinte Audree, and The Book of Margery Kempe Property and Propriety in Eighteenth- and Nineteenth-Century England: Burney, Austen, Eliot Virginia Woolf's Women, Trapped and Freed Mid-Nineteenth-Century Russia: Women Writers Reject the Marriage Plot Why Are Women Poor?
Sally A. Livingston is Assistant Professor of Humanities-Classics at Ohio Wesleyan University, USA.'Livingston traces economic metaphors in women's writing to reveal that the marriage plot was most often deployed in literature when legal restrictions curtailed women's control of money, inheritance, and property. In investigating the work of English, French, and Russian authors from the twelfth through the twentieth centuries, Livingston provides a comparative, feminist analysis to demonstrate that women writers produced fantastical narratives of women's empowerment while living in milieux that afforded them little economic control. By contrast, she shows that where women retained the right to administer their own property, female writers focused their narratives more on women's agency, often illustrating a female protagonist's rejection of marriage and continued independence from patriarchal controls. A wide-ranging discussion that illustrates the effects of lived experience on women's narratives. - Virginia Blanton, associate professor and Chair, Department of English, University of Missouri-Kansas City
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