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Music and Theatre from Poliziano to Montiverdi [Paperback]

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  • Category: Books (Music)
  • Author:  Pirrotta, Nino, Povoledo, Elena
  • Author:  Pirrotta, Nino, Povoledo, Elena
  • ISBN-10:  0521090075
  • ISBN-10:  0521090075
  • ISBN-13:  9780521090070
  • ISBN-13:  9780521090070
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  436
  • Pages:  436
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2008
  • Pub Date:  01-May-2008
  • SKU:  0521090075-11-MPOD
  • SKU:  0521090075-11-MPOD
  • Item ID: 100838723
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Oct 13 to Oct 15
  • Notes: Brand New Item. Not shipped to AK, HI, APO, FPO, AE.
This book describes the many ways in which music was used in Italian theatrical performances between the late fifteenth and early seventeenth centuries.This book describes the many ways in which music was used in Italian theatrical performances between the late fifteenth and early seventeenth centuries. In particular, it concentrates on Polizano's Orfeo, Machiavelli's commedies, the Florentine intermedi and early operas, and the first operas in Venice.This book describes the many ways in which music was used in Italian theatrical performances between the late fifteenth and early seventeenth centuries. In particular, it concentrates on Polizano's Orfeo, Machiavelli's commedies, the Florentine intermedi and early operas, and the first operas in Venice.This book describes the many ways in which music was used in Italian theatrical performances between the late fifteenth and early seventeenth centuries. In particular, it concentrates on Polizano's Orfeo, Machiavelli's commedies, the Florentine intermedi and early operas, and the first operas in Venice.1. Orpheus, singer of strambotti; 2. Classical theatre, intermedi and frottola music; 3. Realistic use of music in comedy; 4. Temporal perspective and music; 5. 'The wondrous show, alas, of the intermedi!'; 6. Early opera and aria; 7. From Poliziano's Orfeo to the Orphei tragoedia; 8. The citta ferrarese; 9. Regular comedy and the perspective set; 10. 'Visible' intermedi and movable sets.
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