ShopSpell

Performing Blackness on English Stages, 1500}}}1800 [Hardcover]

$126.99       (Free Shipping)
100 available
  • Category: Books (Drama)
  • Author:  Vaughan, Virginia Mason
  • Author:  Vaughan, Virginia Mason
  • ISBN-10:  052184584X
  • ISBN-10:  052184584X
  • ISBN-13:  9780521845847
  • ISBN-13:  9780521845847
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  206
  • Pages:  206
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-May-2005
  • Pub Date:  01-May-2005
  • SKU:  052184584X-11-MPOD
  • SKU:  052184584X-11-MPOD
  • Item ID: 100853337
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Jan 21 to Jan 23
  • Notes: Brand New Book. Order Now.
An unusual study of the tradition of blackface in stage performance.Performing Blackness on English Stages, 15001800 examines the dynamics of blackface performance by English actors from the cycle plays of the early sixteenth century, through Shakespeare's Aaron and Othello, to the depiction of enslaved African princes in the eighteenth-century theatre.Performing Blackness on English Stages, 15001800 examines the dynamics of blackface performance by English actors from the cycle plays of the early sixteenth century, through Shakespeare's Aaron and Othello, to the depiction of enslaved African princes in the eighteenth-century theatre.Performing Blackness on English Stages, 15001800 examines early modern English actors' impersonations of black Africans. Those blackface performances established dynamic theatrical conventions that were repeated from play to play, plot to plot, congealing over time and contributing to English audiences' construction of racial difference. Vaughan discusses non-canonical plays, grouping of scenes, and characters that highlight the most important conventions - appearance, linguistic tropes, speech patterns, plot situations, the use of asides and soliloquies, and other dramatic techniques - that shaped the ways black characters were 'read' by white English audiences. In plays attended by thousands of English men and women from the sixteenth century to the end of the eighteenth, including Titus Andronicus, Othello and Oroonoko, blackface was a polyphonic signifier that disseminated distorted and contradictory, yet compelling, images of black Africans during the period in which England became increasingly involved in the African slave trade.1. Preliminaries; 2. Patterns of blackness; 3. Talking devils; 4. Kings and queens; 5. Bedtricksters; 6. Shakespeare's Moor of Venice; 7. Europeans disguised as Moors; 8. Avenging villains; 9. Royal slaves; Afterthoughts.'Highly recommended. Upper-division undergraduates and above.' Choice Her examinatilƒN
Add Review