Philosophers and Thespians Thinking Performance [Hardcover]

The interaction between philosophy and theater or performance has recently become an important and innovative area of inquiry.Philosophers and Thespianscontributes to this emerging field by looking at four direct encounters between philosophers and thespians, beginning with Socrates, Agathon, and Aristophanes in Plato'sSymposiumand ending with a discussion between Walter Benjamin and Bertolt Brecht about a short text by Franz Kafka. Rokem also examines in detail Hamlet's complex and tragic split identity as both philosopher and thespian, as well as the intense correspondence between Friedrich Nietzsche and August Strindberg. His investigationswhich move between the fictional and the historicalculminate in a comprehensive discussion of the notions of performance and performativity as derived from the discursive practices of philosophy and performance. At times competitive or mutually exclusive, these discourses also merge and engage with each other in creative ways. Rokem plays out interaction between Bertolt Brecht and Walter Benjamin as theatricalized philosophical thinking. The volume's second part, 'Constellations,' ponders 'performative agendas' embedded in narratives, wistful imaginings in which constellations of dramatic form take shape from points of thought. This book, by theater historian and preformance theorist Freddie Rokem, makes a significant contribution to both fields . . . Rokem has crafted an enaging and vigorous study of the relationship between theater and philosophy that does as Horace recommended theater do, instruct and delight. Freddie Rokem, author of the prizewinningPerforming History: Theatrical Representations of the Past in Contemporary Theatre, is the Emanuel Herzikowitz Professor for 19th and 20th-Century Art at Tel Aviv University. This book's centraland brilliantidea is to treat the relation between philosophy and theater not as an abstract, disciplinary one, but as an encounter between philosophers and thealÃ-