During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as expressionist, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max DvoY?k, Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.
Contents: Introduction, Kimberly A. Smith. Part I Wilhelm Worringer: Illustration and advertising: Wilhelm Worringers Die altdeutsche Buchillustration, Kathleen Chapman; Introduction to Old German Book Illustration (1912), Wilhelm Worringer. Part II Fritz Burger: Expressionism and empathy: Fritz Burgers theory of art, Elena Filippi; From C?zanne and Hodler: Introduction to the Problems of Contemporary Painting (1913), Fritz Burger. Part III Ernst Heidrich: Ernst Heidrich as an expressionist art historian? A look at Vlaemische Malerei and other volumes written for the Jena arts publisher Eugen Diederichs, Eveliina Juntunen; From Flemish Painting (1913), Ernst Heidrich. Part IV Max DvoY?k: Inventing mannerist expressionism: Max DvoY?k and the history of art as history of the spirit, Hans Aurenhammer; Tintoretto (1920), Max DvoY?k; Foreword to Oskar Kokoschka: Variations on a Theme (1921), Max DvoY?k. Part V Heinrich W?lfló“