Using Vladimir Nabokov as its case study, this volume approaches translation as a crucial avenue into literary history and theory, philosophy and interpretation. The book attempts to bring together issues in translation and the shift in Nabokov studies from its earlier emphasis on the metaliterary to the more recent metaphysical approach. Addressing specific texts (both literary and cinematic), the book investigates Nabokovs deeply ambivalent relationship to translation as a hermeneutic oscillation on his part between the relative stability of meaning, which expresses itself philosophically as a faith in the beyond, and deep metaphysical uncertainty. While Nabokovs practice of translation changes profoundly over the course of his career, his adherence to the Romantic notion of a true but ultimately elusive metaphysical language remained paradoxically constant.Julia Trubikhinareceived her PhD in Comparative Literature with a specialization in Slavic studies from New York University. She teaches in the Department of Classics and Oriental Studies at Hunter College, CUNY. In addition to articles and reviews in academic journals (most recently, A Discrete Amalgam: New York Poets from the Former Soviet Union in Canadian-American Slavic Studies), Julia Trubikhina (as Julia Trubikhina-Kunina) also published translations and contributed original poetry to Russian, European, and American anthologies and literary journals. She is currently working on two translation projects: a bilingual edition of poetry by Vladimir Aristov for Ugly Duckling Presse and a volume of poetry and prose by Elena Shvarts.An insightful and sophisticated examination of an important part of Nabokovs legacy that sheds light on his entire oeuvre, written with elegance and wit. The Translators Doubtsis a striking departure from the traditional studies of Nabokovs work as a translator. Not only does it mark a significant shift in critical perspective, but it also uses Nabokovl.