1. Narrative moves 1.1. Dinarzade, the second string 1.2. The state of narrative 2. Shape shifting: oriental tales 2.1. Fadlallah and Zemroude, transmigratory desires 2.2. The framed sequence 2.3. Travellers' tales 2.4. Fictional letters 2.5. Histories 2.6. Heroic drama 2.7. A passion for tales 3. Tales of the seraglio: Turkey and Persia 3.1. Roxolana: the loquacious courtesan 3.2. Speaking likenesses: Turkey and Persia 3.3. Loquacious women I: staging the Orient 3.4. Loquacious women II: narrating the Orient 3.5. Speculative men I: spies and correspondents 3.6. Speculative men II: court secrets 3.7. 'Fabulous and Romantic': the Embassy Letters and the Sultan's Tale 4. 'Bearing Confucius' morals to Britannia's ears': China 4.1. Turandocte: the riddling princess 4.2. Chinese whispers 4.3. Orphans and absolutism: tragedies of state 4.4. Empires of Dulness 4.5. Narrative transmigrations 4.6. Chinese letters of reason 4.7. Madness and civilization 5. 'Dreams of men awake': India 5.1. Canzade: the illusory sati 5.2. India as illusion 5.3. 'The dreaming priest': Aureng-Zebe 5.4. The treasures of the East: Indian tales 5.5. Tales of India: weaving illusions 5.6. The Indian fable: rational animals 5.7. Waking from the dream 6. Epilogue: Romantic revisions of the Orient