This volume presents critical appraisals of Medieval drama, particularly in regard to structure and technique, and the appreciation of theatrical qualities. The selection reflects the marked changes in approaches to pre-Renaissance drama, influenced by new perceptions among both scholars and stage-interpreters.PETER HAPP? is Principal of Barton Peveril College, Hampshire. His publications include edited texts of The Winter's Tale, Tudor Interludes, English Mystery Plays and Four Morality Plays, and he has in preparation The Complete Plays of John Bale.