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The Cambridge Companion to Recorded Music [Paperback]

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  • Category: Books (Music)
  • ISBN-10:  0521684617
  • ISBN-10:  0521684617
  • ISBN-13:  9780521684613
  • ISBN-13:  9780521684613
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  380
  • Pages:  380
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2009
  • Pub Date:  01-May-2009
  • SKU:  0521684617-11-MPOD
  • SKU:  0521684617-11-MPOD
  • Item ID: 101453441
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jan 21 to Jan 23
  • Notes: Brand New Book. Order Now.
Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.The development of recording has radically transformed the practice of music. This Companion provides a detailed overview of the transformation, including the history of recording technology and recording's impact on performing styles. Covering both classical and popular traditions, it also includes short contributions by a wide variety of practitioners.The development of recording has radically transformed the practice of music. This Companion provides a detailed overview of the transformation, including the history of recording technology and recording's impact on performing styles. Covering both classical and popular traditions, it also includes short contributions by a wide variety of practitioners.From the cylinder to the download, the practice of music has been radically transformed by the development of recording and playback technologies. This Companion provides a detailed overview of the transformation, encompassing both classical and popular music. Topics covered include the history of recording technology and the businesses built on it; the impact of recording on performance styles; studio practices, viewed from the perspectives of performer, producer and engineer; and approaches to the study of recordings. The main chapters are interspersed by 'short takes' - short contributions by different practitioners, ranging from classical or pop producers and performers to record collectors. Combining basic information with a variety of perspectives on records and recordings, this book will appeal not only to students in a range of subjects from music to the media, but also to general readers interested in a fundamental yet insufficiently understood dimension of musical culture.Introduction Eric Clarke, Nicholas Cook, Daniel Leech-Wilkinson and John Rink; Personal takes: learning to live with recording Susan Tomes; A short take lC×
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