This book examines passivity, and disinterestedness, in English writing during the seventeenth and eighteenth centuries.Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines selves as more passively prompted than actively choosing. Gordon traces the origins of such ideas of passivity from their roots in the non-conformist religious tradition to their flowering in one of the central texts of eighteenth-century literature, Samuel Richardson's Clarissa.Challenging recent work that contends that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, The Power of the Passive Self in English Literature recovers a counter-tradition that imagines selves as more passively prompted than actively choosing. Gordon traces the origins of such ideas of passivity from their roots in the non-conformist religious tradition to their flowering in one of the central texts of eighteenth-century literature, Samuel Richardson's Clarissa.Challenging recent work contending that seventeenth-century English discourses privilege the notion of a self-enclosed, self-sufficient individual, this study recovers a counter-tradition that imagines selves as more passively prompted than actively choosing. Gordon traces the origins of such ideas of passivity from their roots in the non-conformist religious tradition to their flowering in one of the central texts of eighteenth-century literature, Samuel Richardson's Clarissa.Introduction: 'spring and motive of our actions', disinterest and self-interest; 1. 'Acted by another': agency and action in early modern England; 2. 'The belief of the people': Thomas Hobbes and the battle over the heroic; 3. 'For want of some heedfull Eye': Mr Spectator and the power of spectacle; 4. 'For its own sake': virtue and agency in elăµ