The surprising idea of pleasure as communal provides a new way of understanding Wordsworth's poetry and the Enlightenment's critical legacy.The ancient conundrum of pleasure came alive in the eighteenth century with a new consideration of its ethical and political significance. This book takes a new critical approach to the philosophy and theory of pleasure and offers an extended reading of this central theme in Wordsworth's poetry and prose.The ancient conundrum of pleasure came alive in the eighteenth century with a new consideration of its ethical and political significance. This book takes a new critical approach to the philosophy and theory of pleasure and offers an extended reading of this central theme in Wordsworth's poetry and prose.Ancient questions about the causes and nature of pleasure were revived in the eighteenth century with a new consideration of its ethical and political significance. Rowan Boyson reminds us that philosophers of the Enlightenment, unlike modern thinkers, often represented pleasure as shared rather than selfish, and she focuses particularly on this approach to the philosophy and theory of pleasure. Through close reading of Enlightenment and Romantic texts, in particular the poetry and prose of William Wordsworth, Boyson elaborates on this central theme. Covering a wide range of texts by philosophers, theorists and creative writers from over the centuries, she presents a strong defence of the Enlightenment ideal of pleasure, drawing out its rich political, as well as intellectual and aesthetic, implications.Introduction; Part I. Pleasure Philosophy: 1. Shaftesbury, Kant and the sensus communis; 2. Rousseau, Wollstonecraft and pleasure as power; Part II. Wordsworth's Common Pleasure: 3. Poetics of pleasure in the Lyrical Ballads; 4. Economies of affect in The Prelude and Home at Grasmere; 5. The politics of happiness in The Excursion; Conclusion; Bibliography; Index. & persuasively argues that theories of pleasure in the eighteenth cls*