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The Irony of the Ideal Paradoxes of Russian Literature [Paperback]

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  • Category: Books (Literary Criticism)
  • Author:  Epstein, Mikhail
  • Author:  Epstein, Mikhail
  • ISBN-10:  1618119826
  • ISBN-10:  1618119826
  • ISBN-13:  9781618119827
  • ISBN-13:  9781618119827
  • Publisher:  Academic Studies Press
  • Publisher:  Academic Studies Press
  • Pages:  440
  • Pages:  440
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Dec-2018
  • Pub Date:  01-Dec-2018
  • SKU:  1618119826-11-MPOD
  • SKU:  1618119826-11-MPOD
  • Item ID: 102433457
  • List Price: $45.00
  • Seller: ShopSpell
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  • Delivery by: Jan 18 to Jan 20
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This book explores the major paradoxes of Russian literature as a manifestation of both tragic and ironic contradictions of human nature and national character. Russian literature, from Pushkin and Gogol to Chekhov, Nabokov and to postmodernist writers, is studied as a holistic text that plays on the reversal of such opposites as being and nothingness, reality and simulation, and rationality and absurdity. The glorification of Mother Russia exposes her character as a witch; a little man is transformed into a Christ figure; consistent rationality betrays its inherent madness, and extreme verbosity produces the effect of silence. The greatest Russian writers were masters of spiritual selfdenial and artistic selfdestruction, which explains many paradoxes and unpredictable twists of Russian history up to our time.Not every world-class cultural critic can also produce the breathtaking close readingbut such is Epsteins gift. He sees equally clearly from the outside looking in and the inside looking out. This tour de force chronicle, covering three centuries of literary masterpieces, starts with the Faustian demonic in Pushkin and ends with Russian Being and Nothingness: Nabokov, Platonov, forms of falling silent. Throughout, Epstein reveals the deep affinities between German philosophy and Russian fictions. Russian ontology has been perhaps the more ecstatic and insistent to destroy what it worships. And the fate of Russian literature has been to inspire the planet.It wont be an exaggeration to say that Epstein takes Russian literature more seriously (and passionately) than any other contemporary critic does. Moreover, he takes it in its totalityfrom Lomonosov to Prigov and beyondas a living metaphysical Gospel of Russian culture which consists of a number of basic clusters or knots of ironic paradoxes and develops in cycles and phases (he even offers a compelling Periodical Table of Russian literature). In a series of vertiginous interpretations of works of Rusl.
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