I came to admire the book as I read, and I am paying it the best tribute I can by giving it away -- to a new young friend, a saxophonist from Santa Cruz, who will also -- as I did -- learn from Liebman. I applaud Scarecrow for publishing such an in-depth portrait, and only wish (wistfully) that someone had been able to sit down with, say, Brew Moore or Benny Morton or a hundred others. But this book is a model of what can be done to illuminate jazz from the inside as well as chronicling one artist's passage through it.It is compelling reading for educators, musicians, and fans.Creating a full picture of who Liebman is and what he's accomplished is an ongoing and incremental process, where a great many pieces must be put together like a complex jigsaw puzzle, including keeping abreast of a travel schedule for recording, performing and education that would wither most musicians half the near-66 year-old saxophonist's age. Thankfully, What It Is: The Life of a Jazz Artist is a long-overdue career retrospectivealbeit one of an artist who is still very much a work in progressthat helps bring all these pieces, if not exactly together, then at least on the same board where it's possible to draw a number of important conclusions.Dave Liebman has always been one of the smartest and most forthcoming musicians of his generation, and in his new book, What It Is: The Life of a Jazz Artist, the saxophonist and educator holds forth on his art, life and restless creative spirit with effortless candor and lyricism&. Liebman has a refreshingly down-to-earth view of his own legacy as a musician, but he recognizes the importance of his responsibility to properly instruct and influence the next generation of jazz talent&. Porter proves a skilled interviewer, gracefully guiding Liebman from topic to topic while occasionally contributing his own thoughts on the subjects at hand. The obvious conviviality of the interview sessions carries over to the reading experience itself, making Whatl#-