Jim Crow is the figure that has long represented Americas imperfect union. When the white actor Thomas D. Rice took to the stage in blackface as Jim Crow, during the 1830s, a ragged and charismatic trickster began channeling black folklore through American popular culture. This compact edition of the earliest Jim Crow plays and songs presents essential performances that assembled backtalk, banter, masquerade, and dance into the diagnostic American style. Quite contrary to Jim Crows reputationwhich is to say, the terms later meaningthese early acts undermine both racism and slavery. They celebrate an irresistibly attractive blackness in a young Republic that had failed to come together until Americans agreed to disagree over Jim Crows meaning.
As they permeated American popular culture, these distinctive themes formed a template which anticipated minstrel shows, vaudeville, ragtime, jazz, early talking film, and rock n roll. They all show whites using rogue blackness to rehearse their mutual disaffection and uneven exclusion.
Rice's songs and burlesques collected in this fascinating volume are interesting only for their racist tinge and their importance as artifacts of early- and mid-nineteenth-century American show business...This book will fascinate students of history and aficionados of historical American theater.Jim Crow has long represented Americas imperfect union. This edition of the earliest Jim Crow plays and songs presents essential performances assembling backtalk, banter, masquerade, and dance into the diagnostic American style. They celebrate blackness in a Republic that failed to unite until Americans agreed to disagree over Jim Crows meaning.