The Montagu Collection, of worldwide coverage and all types of instruments, began to take shape in the early 1960s when what had been a small and very random collection was then rapidly expanded to illustrate lectures and to provide material for research on all aspects of organology. By 1967, when Jeremy Montagu mounted an exhibition in Sheffield and for that reason started his ledger catalogue, the number of instruments had reached about 450.
It has now, thirty years later, reached nearly 2,500. The Collection is always accessible to interested persons.
Jeremy Montagu, retired as Curator of the Bate Collection of Musical Instruments in the University of Oxford, has been involved in early music as a professional musician for nearly forty years. He is an Emeritus Fellow of Wadham College at Oxford University....on almost any page can be found a description, commentary, or incedental essay that will engage the reader.
Journal of The American Musical Instrument SocietyPart 1 Part I-Double Reeds
Chapter 2 Aerophones
Chapter 3 Free Aerophones-Reeds
Chapter 4 Concussion Reeds
Chapter 5 Reedpipes
Chapter 6 Cylindrical Bore Shawms
Chapter 7 Conical Bore Shawms
Chapter 8 Forked Shawms
Chapter 9 Carved Bore Shawms
Chapter 10 Reamed Bore Shawms
Chapter 11 Bagpipes with Double Reed
Chapter 12 Oboes
Chapter 13 Bassoons
Chapter 14 Reeds
Part 15 Part II-Single Reeds
Chapter 16 Idioglot Percussion-Reed Whistles
Chapter 17 Heteroglot Single-Reed Whistles
Chapter 18 Truly Idioglot Cylindrical Single Reeds
Chapter 19 Idioglot/Heterozeug Single Reeds
Chapter 20 Sets of Idioglot Cylindrical Single Reeds
Chapter 21 Bagpipes
Chapter 22 Heteroglot Cylindrical Single Reeds
Chapter 23 Clarinets
Chapter 24 Idioglot Conical Single Reeds
Chapter 25 Heteroglot Conical Single Reeds-Saxophones
Chapter 26 Reed Hooters with Undetermined Reed
Part 27 Part III-Free Reeds
Chapter 28 FrelÓ: