Shakespeare and Queer Theoryis an indispensable guide on the ongoing critical debates about queer method both within and beyond Shakespeare and early modern studies.
Clearly elucidating the central ideas of the theory, the field's historical emergence from feminist and gay and lesbian studies within the academy, and political activism related to the AIDS crisis beyond it, it also illuminates current debates about historicism and embodiment.
Through a series of original readings of texts includingOthello,The Merchant of Venice, andVenus and Adonis, as well as film adaptations of early modern drama including Derek Jarman'sThe TempestandEdward II, Gus Van Sant'sMy Own Private Idaho, Baz Luhrmann'sRomeo + Juliet, and Julie Taymor'sTitus, it illustrates the value of queer theory to Shakespeare scholarship, and the value of Shakespearean texts to queer theory.
In this volume, Melissa E. Sanchez offers students and scholars a uniquely detailed overview of the history, background, key terms and concepts, and current discussions at the intersection of queer theory and Shakespeare studies.
Melissa E. Sanchezis Associate Professor of English at the University of Pennsylvania, USA.
Acknowledgments
Introduction: Shakespeare and Queer Theory
Chapter 1: Queer Theory (without Shakespeare)
Chapter 2: Homoeroticism in Shakespeare Studies
Chapter 3: Queerness Beyond Homoeroticism
Chapter 4: How Queer Is the Shakespearean Canon?
Chapter 5: The Politics of Form: Queer Shakespearean Film
Conclusion: Whose Shakespeare?
References
Index