Inclusive, cutting-edge essay collection by leading scholars on Victorian women poets and their diverse poetic forms and identities.This accessible collection of cutting-edge essays on Victorian women's poetry addresses major figures as well as the lesser known ones, adopting a culturally inclusive approach to poets' diversity and their multiple poetic forms and social issues. This book also features digital and close reading methods and a bibliography and chronology of publications.This accessible collection of cutting-edge essays on Victorian women's poetry addresses major figures as well as the lesser known ones, adopting a culturally inclusive approach to poets' diversity and their multiple poetic forms and social issues. This book also features digital and close reading methods and a bibliography and chronology of publications.The Victorian period has a strong tradition of poetry written by women. In this Companion, leading scholars deliver accessible and cutting-edge essays that situate Victorian women's poetry in its relation to print culture, diverse identities, and aesthetic and cultural issues. The book is inclusive in method, demonstrating, for example, the benefits of both distant and close reading approaches, and featuring major figures like Elizabeth Barrett Browning and Christina Rossetti and over one hundred poets altogether. Thematically arranged, the chapters deliver studies on a comprehensive array of subjects that address women's poetry in its manifold forms and investigate its global context. Essays shed light on children's poetry, domestic relations, sexualities, and stylistic artifice and conclude by looking at how women poets placed their published poems and how we can 'place' Victorian women poets today.List of illustrations; Notes on contributors; Acknowledgments; Chronology of publications and events, compiled by Sofia Prado Huggins; 1. Introduction Linda K. Hughes; Part I. Form and the Senses: 2. Genres Monique R. Morgan; 3. Prosody Meredls^