The Epic in Film: From Myth to Blockbuster [Paperback]

Constantine Santas encourages us to wonder why film critics have so routinely dismissed the epic film. InThe Epic in Film, he argues that blockbuster and artistic are not mutually exclusive terms, and, perhaps more importantly, epic film is an inherently profound genre in its ability to tap into a nation's, and sometimes humanity's, dreams and fears. Why do we see dozens and dozens of films based on the King Arthur legend? Why would a presidential-hopeful borrow a phrase, Read my lips, from Clint Eastwood'sDirty Harry? Why do war epics proliferate in times of war or national crisis? Why are epics as a whole the most popular movie genre? Start with an individual quest of some kind undertaken by an attractive hero or heroine, add the weight of a nation, and perhaps humanity, into that character's struggle, sprinkle some awe-inspiring special effects and a general sense of largesse, and don't forget the happy ending; and there you have a recipe for a film that can contain the deepest emotions-fear, hope, insecurity, pride-of a nation, and, sometimes, a world. Whether you loveGone with the Windand hateTroy; find Akira Kurosawa's films brilliant; or marvel over the depth of theMatrixtrilogy, film buffs will want to read this first book-length treatment of the epic, a wildly popular, infinitely fascinating, and critically underappreciated genre.Constantine Santasis professor emeritus and former chair in the Department of English at Flagler College, Florida. He is the author ofResponding to Filmand has translated several works from Greek to English.

This book is useful for scholars looking for a discussion of epic using classic films. The Journal of Popular Culture

In this new, ambitious examination of epic films, Constantine Santas artfully argues for the viability and surprising longevity of this narrative form. . . . Santas whole-heartedly studies the epic in all its components, values, history alS–