Israeli Cinema: East/West and the Politics of Representation [Paperback]

When the Hebrew edition of this groundbreaking book came out, it provoked a stormy public debate. The author has now up-dated Israeli Cinema , adding a substantial new postscript that reflects on the book's initial reception and points to exciting new trends in the cinematic representation of Israel and Palestine. Ella Shohat explores the cinema as a productive site of national culture, dating back to the early Zionist films about turn-of-the-century Palestine. She offers a deconstructionist reading of Zionism, viewing the cinema as itself participating in the 'invention' of the nation. Unthinking the Eurocentric imaginary of 'East versus West', Shohat highlights the paradoxes of an anomalous national/colonial project through a number of salient issues, including the Sabra figure as a negation of the 'Diaspora Jew', the iconography of the land of Israel as a denial of Palestine, and the narrative role of 'the good Arab'. The new postscript examines the emergence of a richly multiperspectival cinematic space that transcends earlier dichotomies through a palimpsestic and cross-border approach to Israel/Palestine.Ella Shohat is Professor of Cultural Studies at New York University. Her books include 'Taboo Memories, Diasporic Voices', 'Talking Visions: Multicultural Feminism in a Transnational Age', and with Robert Stam 'Unthinking Eurocentrism: Multiculturalism and the Media' and 'Flagging Patriotism: Crises of Narcissism and Anti-Americanism'.

Contents:
Acknowledgements
Introduction
Chapter 1. Beginnings in the Yishuv: Promised Land and Civilizing
Mission
Making the Desert Bloom: The Production of Emptiness
Imaging Palestine: Pioneer Sabras and Exotic Arabs
The War of Languages
Chapter 2. Post-1948: The Heroic-Nationalist Genre

State of Siege and Didactic Allegories

The Orient and the Promethean Narrative
Spectacle of War in the Wake of 1967
Chapter 3. The Representation of Sephardim/Mizrahim
Orientalism and itl'