Musical Style and Genre: History and Modernity [Hardcover]

Introduction; History and the present day; The problem of cultural dialogue; Section 01 1. Unprecedented Reality: Innovation, Tradition and Style in Epochs of Great Rupture; Section 01-01-01 Something has come to an end; Section 01-01-02 The antinomies of Baroque; Section 01-01-03 Innovation  tradition  culture; Section 01-01-04 Baroque conservatives and modernists; Section 01-01-05 Innovation in twentieth-century culture; Section 01-01-06 Tradition: the preservation and transformation of culture; Section 01-01-07 Culture and memory; Section 02 2. The Principles of Musical Poetics  Baroque and the Twentieth Century; Section 02-01-01 The concept of music; Section 02-01-02 Music in the age of Baroque; Section 02-01-03 Music in the twentieth century; Section 02-01-04 The musica politica of the twentieth century; Section 02-01-05 Seeing or hearing?; Section 02-01-06 Space  time  motion; Section 02-01-07 Concepts of space, time and motion in the age of Baroque; Section 02-01-08 The development of a new concept of space, time and motion: 1920s to 1930s; Section 02-01-09 Concepts of musical time in the twentieth century; Section 02-01-10 Spacetime compositions in music; Section 03 3. The Formation of a New Concept of Musical Style; Section 03-01-01 The language of art in epochs of great rupture; Section 03-01-02 Music and words: new treatments; Section 03-01-03 Problems of musical syntax: Baroque  Classicism  Romanticism; Section 03-01-04 The new musical syntax of the twentieth century: principles and distinguishing features; Section 04 4. Problems of Musical Style: Classicism, Baroque and the Twentieth Century; Section 04-01-01 The concept of style in the age of Baroque; Section 04-01-02 New functions of musical style in the twentieth century; Section 04-01-03 The problem of style in the early decades of the twentieth century; Section 04-01-04 The polystylistic situation in the second half of the 1960s; Section 04-01-05 From the polystylistic lóR