Comprising nine original essays by specialists in material culture, book history,
literary criticism and curatorial and archival studies, this co-edited volume
addresses a wide range of Bront?s writingfrom vignettes composed during her
teenage years (The Tea Party and The Secret) to completed novels (The
Professor, Jane Eyre, Shirley and Villette) and unfinished works (Ashworth and
Emma). In bringing to life the surprising array of embodied experiences that
shaped Bront?s creative practice (from writing to book-making, painting, and
drawing), Charlotte Bront?, Embodiment and the Material World forges new
connections between historical, material, and textual approaches to the authors
work.
1. Introduction - Eleanor Houghton and Justine Pizzo.- 2. Burying Bertha - Cornelia Pearsall.- 3. Gendering the Comic Body: Physical Humour in
Shirley - Justine Pizzo.- 4. Charlotte Bronte and the Yorkshire Marriage - Valerie Sanders.- 5. Catholic Things and the Jesuit Order in
Villette - Julie Donovan.- 6. Charlotte Bronte: From a Yorkshire Girl to a Regency Writer and Dandy - Judith E. Pike.- 7. Scholarship and Sentimentality in the Museum Context - Christine Nelson.- 8. Charlotte Bronte's Moccasins: The Wild West Brought Home - Eleanor Houghton.- 9. Charlotte Bronte's Chinese Fac-similes : A Comparative Approach to Interpreting the Materials of Authorial Labour and Artistic Process - Barbara Heritage.- 10. The Materialities of Charlotte Bronte's Medievalism - Claire Broome Saunders.
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