Many prominent science fiction writers, artists, and editors began as s.f. fans. This is the first book to survey fandom's history, manifestations, and accomplishments, including clubs, fanzines, and conventions. The 24 essays are divided into sections that consider the following: the types of people who become fans and the satisfactions they receive; the development of fandom in America; fandom in Europe and the Orient; social interactions in the form of local clubs or wider-drawing conventions; and long-term results in the form of beginning professional careers in writing or publishing, exercising critical attention, and so forth. The writers of these essays have all participated in the activities they describe. The book also contains a glossary, an annotated bibliography, and an index. Overall, this book gives a detailed look at the most important facets of a fascinating subculture that has contributed significantly to the direction of modern science fiction.JOE SANDERS is currently Professor of English at Lakeland Community College in Mentor, Ohio, where he originated several courses in science fiction and fantasy since starting there in 1972./e He is the author of numerous book reviews, articles, essays, and chapters in books. His books include
Roger Zelazny: A Primary and Secondary Bibliography(1980), and
E.E. Doc Smith(1986).
Preface by Joe Sanders
Roots of Fandom
Why is a Fan? by Juanita Coulson
Fandom as a Way of Life by Robert Coulson
Fandom in America
The Origins of Science Fiction Fandom: A Reconstruction by Sam Moskowitz
Fandom Up to World War II by Robert A. Madle
Wartime Fandom by Art Widner
Fandom between World War II and Sputnik by Harry Warner, Jr.
Post-Sputnik Fandom (1957-1992) by rich brown
Alternative Fandoms by John and Bjo Trimble
Variations and Echoes
British Fandom by Terry Jeeves
Science Fiction in Europe: A French Perspective by Pascal J. Thomas
The European Echoló9